Glastonbury gears up for Dua Lipa's headline set

 Glastonbury gears up for Dua Lipa's 

headline set

By Mark Savage, BBC

Dua Lipa last played Glastonbury in 2017, before the release of her breakout single New Rules

After two days of build-up, Glastonbury Festival kicks into gear on Friday with the first full day of music on the main stages.

Squeeze open the Pyramid Stage at midday, with other acts on the line-up including Idles, Jamie xx, LCD Soundsystem, PJ Harvey, Fontaines DC and Anne-Marie.

Pop star Dua Lipa is the opening night headliner, playing disco-pop anthems like New Rules, Don’t Start Now, One Kiss, Levitating and Houdini.

“I’ve got to figure out a way to make 150,000 people feel like they’re in a small little nightclub,”

“That’s the goal, and if there’s one place to do it, it’s gotta be Glasto.”

The star has been rehearsing her set in Birmingham all week, following warm-up shows earlier this month in Croatia, Germany and France.

The rehearsals were briefly interrupted by a TikTok influencer who broke in and tried to film the star, according to The Sun. However, they were intercepted before they made it into the studio.

Genuine behind-the-scenes footage was posted last month by Lipa's friend and fashion designer Guiliano Calza, who shared a snippet of her athletic dance breakdown during Houdini on Instagram.

The show will also include “incredible surprises and some unexpected moments”, said Lipa’s record label boss, Max Lousada.

“She’s just going to bring the party to Friday night,” he told Variety magazine.

For the first time ever, the star's Glastonbury performance will be broadcast outside the UK, via a Livestream on BBC.com.

Shania Twain follows in the footsteps of Kylie, Dolly Parton and Lionel Richie by playing Glastonbury's legend slot

Other headliners across the weekend include Coldplay, SZA and country star Shania Twain, who says she wants to “ride a horse to the stage” when she plays on Sunday.

However, festival organiser Emily Eavis said she’d previously turned down that exact request.

“It's unfair on the horse because it’s so busy,” she said, without confirming who had demanded an equine entrance.

Glastonbury is the UK’s biggest festival, with more than 100 stages catering to 200,000 fans over the course of the weekend.

Early birds were treated to a spectacular drone display on Wednesday night, while Thursday saw music begin on the outer stages - with DJ sets by The Orb, MJ Cole, Kurupt FM and Skream.

The festival's co-founder, Sir Michael Eavis, also made an appearance on The Park Stage, singing covers of Frank Sinatra's My Way and Elvis Presley’s Suspicious Minds.

The 88-year-old, who performed from a wheelchair, received a warm reception from the crowd, who chanted "we love you Michael" between songs.

"Thank you very much," he responded. "That's fantastic, thank you."

As well as music, ticketholders can enjoy poetry, comedy, circus acts, and even pottery throwing.

Health guru Joe Wicks will open The Park Stage at 10am with an early morning work-out; while BBC Radio 3 presenter Georgia Mann will ease festival-goers into the day with a classical DJ set in the Crow’s Nest at 11am.

“I’m not sure what to expect,” she said.

“I'm thinking possibly it’ll be sleep deprived campers emerging from their tents, confused to discover me with my classical set - but I'm also anticipating people being a pretty upbeat mood.”

'I might even cry'

She’s kicking off with Max Richter’s “life-affirming” reworking of Vivaldi’s Four Seasons, and culminating in Stravinsky's pulse-quickening The Firebird.

“We want to take classical music out of its box. And we want to show everybody that this music doesn't need to be kept in a very solemn concert hall. It can absolutely stand on its own alongside reggae and rock and pop.”

Olivia Dean will play the Pyramid Stage two days after dropping her new single, Time

At the festival’s second-biggest venue, The Other Stage, Brazilian environmentalist Chief Raoni will make a short speech at 11:20am, ahead of sets from Headie One, D-Block Europe and Bombay Bicycle Club.

Shortly after lunchtime, Seventeen will become the first K-pop band to play the Pyramid Stage, joining a bill that also includes Paul Heaton and LCD Sound system.

“There's a great sense of responsibility,” said Seventeen band leader S Coups.

“We’ll keep coming back to that feeling and do our best to prepare so that we can blow everybody away... Not just our fans, but every other member of the audience.”

Mercury Prize nominee Olivia Dean will also make her Pyramid Stage debut, fulfilling a lifelong ambition.

"It’s a stage that every musician dreams of walking out onto," she told the BBC.

"I’m going to have a massive grin on my face. I might even cry."

Performance artist Marina Abramovic will also hold a special “moment for peace” on the Pyramid Stage, shortly before PJ Harvey’s set at 6pm.

“We’ve been working on this for a while,” said organiser Emily Eavis, without giving away too many details.

“She’s going to speak from the Pyramid and then she’s got a plan… which I’ll leave to her to describe,” she told BBC 6 Music.

This year marks the first time in Glastonbury’s history that the festival will have two female performers at the top of the bill.

Eavis said achieving gender balance across the line-up was a “huge passion project” – adding that she was particularly proud of giving Dua Lipa her first UK headline slot.

“We’re creating a moment for her. And that's really as exciting as anything.”

Lipa last played at Glastonbury in 2017, in an afternoon slot at the Woodsies tent. Four weeks later, she released the video for her breakout hit New Rules, and her career took off.

Since then, she’s become a seven-time Brit Award winner, largely thanks to her pandemic-era, kitchen disco sountracking Future Nostalgia album.

She was offered the headline slot last November, as she began the roll-out for her third album, Radical Optimism.

“When something like that comes along, you just don't say no to it,” she told the BBC.

Headlining the festival had been on her bucket list since she recorded her first album in 2018, she added.

“It's the greatest place on Earth. Just the sense of community and togetherness and having fun and taking care of one another. It's just beautiful.”

 

Naomi Campbell and the black models who changed the face of fashion

By Deborah Nicholls-Lee, BBC

(Credit: Getty Images)

As a new exhibition opens in London exploring the career of Naomi Campbell, Britain's first black supermodel, a look at the women who forged a path in fashion – including the first black American Vogue cover model, Beverly Johnson.

"Do you want to be a model?" asked talent scout Beth Boldt as she approached a group of schoolgirls in London's Covent Garden. Fifteen-year-old Naomi Campbell stepped aside, thinking Boldt was talking to her fair-haired friends. But it was Campbell that Boldt locked eyes with. "I'm talking to you," she said.

The shy teenager would go on to become the most famous black model in history: a supermodel of extraordinary versatility – said to have the best "walk" in the business – as well as a media personality and advocate for equal rights in an industry where black people had long been sidelined.

Campbell aged 16 in New Orleans, Elle UK, August 1986 (Credit: Martin Brading)

Celebrating Campbell's 40-year career is the exhibition NAOMI: In Fashion, opening at London's Victoria & Albert Museum on 22 June. It charts Campbell's highs and lows, and features many of her most memorable outfits, including the blue 30cm-high Vivienne Westwood heels that famously toppled her on the runway in 1993.

Also on display is the silver Dolce & Gabbana couture gown she wore for her last day of community service, a five-day sentence for a misdemeanour assault powered by her infamous temper. Asked by Grazia Magazine why she dressed up for the occasion, she replied: "Why should they expect me to go looking bedraggled or something?"

Fighting for the right to be seen

It's perhaps this refusal to be diminished by society's expectations that helped make her French Vogue's first black cover girl in 1988. When her white supermodel friends were featured but Campbell was declined, Campbell pushed harder. She went to Yves Saint Laurent, one of Vogue's biggest advertisers, who agreed to withhold clothes and advertising until the magazine obliged.

             Campbell fought hard to gain equal representation in the industry (Credit: Steven Meisel)

"I definitely had to fight harder," says Campbell in the book that accompanies the V&A exhibition. "Some people were just being simply honest in telling me that they never thought of using a black girl. So I didn't always take it as racism. I just took it as 'Okay, you never tried, now it's time to try.'"

Campbell was quick to pay homage to other pioneers. Speaking to chat show host Michael Parkinson back in 2004, she said. "When I get a cover, I think that it's not just for me, it's for the generation of girls before me [and] after me."

One such role model who blazed a trail for changemakers like Campbell was Donyale Luna. But though the US model became the first black cover star of Harper's Bazaar in 1965, the result was disappointing: it was an illustration rather than a photograph – and her skin was pale pink.

                   US model Donyale Luna was a pioneer, appearing on magazine covers in the 1960s (Credit: Getty Images)

Also disappointing was the mixed public reaction to people of colour appearing on pages that had long been seen as the preserve of white people. In the US, some sponsors threatened to withdraw advertising revenue and some readers cancelled subscriptions. Nevertheless, the following year, British Vogue put Luna on its cover. This time her skin was darker, but her depiction as an Ancient Egyptian played on the trope of the "exotic" black woman, and typified the limited range of roles offered to women of colour at the time. 

Questioning concepts of black beauty

"Historically, black women in white America have been called many things," wrote the US writer and model Barbara Summers in her landmark 1998 work, Skin Deep: Inside the World of Black Fashion. "Beautiful was among the last." Unpicking the social and historical context of notions of black beauty in her book, she notes the "impersonal … and often unlovely" depiction of black women in the 20th-Century arts and the internalisation of "a sad legacy of slavery", which she says dictated "the parameters of our existence from what we could wear to who we could be".

In the early 20th Century, new products such as skin lighteners and anti-kink hair ointments sent out a message that natural black characteristics needed correcting, causing what Summers describes as a "confusion" over what black beauty was. Meanwhile, lynchings in the US clearly communicated the dangers of entering white spaces. It wasn't until the civil rights movement of the 1950s and 60s that significant numbers began to mobilise against US racism.

Beverly Johnson appeared on the cover of American Vogue 50 years ago (Credit: Alamy)

Naomi Sims was an example of a new generation of plucky models who did not wait for permission to be invited into a predominantly white industry. Sick of being rejected by agencies, she went straight to the photographers, eventually landing magazine covers and walking for Halston and Giorgio di Sant'Angelo. She championed fellow American Beverly Johnson – who this year celebrated the 50th anniversary of being the first black American Vogue cover star – with a one-woman show, Beverly Johnson: The Face That Changed It All, based on her 2015 memoir. "She was so gracious to me and I said to myself that is how I'm going to treat the other young models," Johnson told BET last year.  

In 1988, two iconic black models − Iman, originally from Somalia, and New York-born Bethann Hardison − founded the Black Girls Coalition in order to petition the fashion industry for equal representation and pay. Campbell joined a year later, and has since described Hardison as "a second mother". Hardison had walked in the legendary 1973 Battle of Versailles, a catwalk stand-off between European and US designers that marked a turning point in fashion history when modern US fashion houses, featuring an army of majestic black models, unexpectedly outshone the old guard of Parisian couture. "Fashion was never to be colonised in the same ways again," writes Summers.

Bethann Hardison, Karen Bjornson, Alva Chinn and Iman pose with designer Stephen Burrows (Credit: Getty Images)

One of the Coalition's successes was its push for an all-black issue of Vogue Italia. The 2008 edition, featuring four different covers (including Campbell), sold out in the UK and the US within 72 hours. Edward Enninful, who styled the shoot, remarked: "I never thought I would be able to see something like this – my people, my race, wearing the collections, being gorgeous, chic, real women in that way. But the most important thing is: this proves we are bankable. We can sell."

Inspired by her fearless predecessors and her friendship with Nelson Mandela, who she met in the 1990s, Campbell's activism became central to her work. She is a huge advocate for African designers such as Marianne Fassler and Tiffany Amber, boosting their profile by walking in their shows and lending her support to Arise Fashion Week, which celebrates African fashion.

Model campaigners such as Campbell are gradually winning their battle. The Fashion Spot's diversity report on New York Fashion Week found that in spring 2015 just a fifth of the models were models of colour, compared to over half in spring 2022. But there's still work to do before models of colour feel entirely at home. Detroit-born model Megan Milan said in a viral TikTok post last year, for example, that she had to redo her make-up for a New York Fashion Week show as the artist was unskilled with black skin. "I look like a ghost," she lamented.

TJ Sawyerr describes the US model Alton Mason as 'the first modern-day male supermodel' (Credit: Getty Images)

For British-Ghanaian model, visual image-maker and storyteller TJ Sawyerr, who has worked for Calvin Klein, Vivienne Westwood and Lacoste, a lingering issue is what he describes as the "performative tokenism" of some of the industry's interest in black models. "If you are acutely aware that your inclusion is on the basis of ticking a quota box or fulfilling a PR strategy, I think that for a lot of people that can feel devaluing," he tells the BBC.

"Seeing examples of people who look like us… provided me with a huge amount of confidence" – TJ Sawyerr

Sawyerr's experience, however, has been predominantly positive. "Seeing examples of people who look like us… provided me with a huge amount of confidence to the point that there wasn't really a huge amount of questioning about the possibility of me as a black person entering the field," he says, giving the example of the US model Alton Mason, who he describes as "the first modern-day male supermodel", and referencing good friend and fellow Ghanaian Ottawa Kwami as "possibly one of the best examples of what the new-found accessibility of this industry is doing for people from marginalised backgrounds".

Now more commonly behind the lens, Sawyerr is paying it forward, recruiting black set designers, models, art directors and stylists for projects that, he says, "further the appreciation of our culture and where we've come from" and "celebrate individuals who may not get the shine I think they deserve". Sawyerr, like Campbell, grew up in South London, and has photographed the supermodel in what he remembers as "a really nice full-circle moment". He describes her as "a huge enabler", who "paved the way for a much more accessible commercial industry when it comes to black models".

Building on the success of her forebears and now lifting up emerging talent, Campbell has changed the face of fashion forever and blown apart the industry's narrow idea of beauty. "Black women have more DNA on this planet than anyone else," points out the US model Veronica Webb in the 2022 documentary Supreme Models. "We look 100 million different ways, and that should never be denied. No aspect of our beauty should ever be denied."

NAOMI: In Fashion is at the V&A, South Kensington from 22 June to 6 April 2025. The exhibition is accompanied by a book of the same name in which Campbell discusses 20 of her most iconic looks.

Justin Timberlake admits 'Tough Week' after arrest

 Justin Timberlake admits 'Tough Week' after arrest

By Noor Nanji, Culture reporter

The Cry Me A River singer was arrested on Tuesday

Justin Timberlake has admitted it's been "a tough week" after he was charged for driving while intoxicated.

Addressing fans at a concert in Chicago on Friday night, the singer also thanked them for continuing to support him.

The 43-year-old pop star was arrested in New York on Tuesday for running a stop sign and failing to stay on the right side of the road.

His lawyer has said he looks forward to "vigorously defending" the singer.

In his first performance since the incident, Timberlake told the crowd: "It's been a tough week."

"I know sometimes I'm hard to love, but you keep on loving me and I love you right back," he added.

He also reminded fans that they have all been through “ups-and-downs and lefts-and-rights”.

The arrest occurred in Sag Harbor in the Hamptons, a popular summer destination for celebrities on Long Island.

When officers stopped him, Timberlake's eyes were "bloodshot and glassy" and a "strong odour of an alcoholic beverage was emanating from his breath", according to a charging document.

His speech was slowed and he performed poorly on the officers' sobriety tests, the document said.

He also refused a breathalyser test, it added.

"I had one martini and I followed my friends home," Timberlake allegedly told the officer who stopped him, according to the BBC's US partner CBS News.

He was released without bail after being formally charged, and is scheduled to appear virtually in court on 26 July, Suffolk County District Attorney's Office has said.

Timberlake has previously spoken openly about seeking help for excessive drinking.

On Wednesday, his lawyer Edward Burke Jr told PA Media news agency: "I look forward to vigorously defending Mr Timberlake on these allegations."

He added: "I will have a lot to say at the appropriate time but am currently awaiting full discovery from the District Attorney's office."

Timberlake has been touring the US to promote his sixth album, Everything I Thought It Was, and is due to launch the international leg next month, kicking off with a two-night run in Poland.

His scheduled court date coincides with the start of his world tour at the Tauron Arena in Krakow.

In the state of New York, penalties for charges related to driving while intoxicated include up to a year in jail, a $1,000 (£786) fine and the suspension of a driver’s licence for at least six months.

Timberlake was scheduled to perform two shows in Chicago this weekend, followed by a show in New York’s Madison Square Garden next Tuesday.

A former member of the popular 90s boy band NSYNC, Timberlake is an actor, songwriter and one of the best-selling music artists in the world.

The 10-time Grammy winner is also known for his roles in the films The Social Network and Friends With Benefits.

Timberlake is married to actor Jessica Biel, with whom he shares two children.

 Pat Sajak's History on 'Wheel of Fortune' as He Retires

Pat Sajak's retirement marks the end of an era for one of America's most beloved game shows, 'Wheel of Fortune'. Sajak's tenure on the show has been nothing short of extraordinary, spanning decades and solidifying his place in television history. As we bid farewell to this iconic host, it's worth reflecting on his remarkable journey and the indelible impact he has had on the show and its fans.

The Beginning of Pat Sajak's Journey

Pat Sajak's path to hosting 'Wheel of Fortune' began in the early 1980s. Born on October 26, 1946, in Chicago, Illinois, Sajak's early career included stints as a radio DJ and a weatherman. His big break came in 1981 when Merv Griffin, the creator of 'Wheel of Fortune', offered him the hosting position. Sajak's charm, quick wit, and approachable demeanor made him an instant hit with audiences.

The Evolution of 'Wheel of Fortune'

'Wheel of Fortune' itself has undergone significant changes since its debut in 1975. Originally a daytime show, it transitioned to a syndicated evening format in 1983, which coincided with Sajak's rise to fame. The show’s format, where contestants solve word puzzles to win prizes, remained largely consistent, but various tweaks and updates kept it fresh for viewers.

Sajak’s tenure has seen the introduction of the electronic puzzle board, replacing the manual board in 1997, and the inclusion of themed weeks and special episodes. These innovations contributed to maintaining the show's relevance and appeal over the years.

Pat Sajak and Vanna White: An Iconic Duo

One of the defining features of 'Wheel of Fortune' has been the partnership between Pat Sajak and Vanna White. White joined the show in 1982, a year after Sajak, and the duo quickly became synonymous with the program. Their on-screen chemistry and rapport have been pivotal to the show's enduring success.

While Sajak's role involved engaging with contestants and keeping the game moving, White's role as the letter-turner evolved significantly. With the advent of the electronic board, White’s job shifted to touching the letters to reveal them. Her elegance and poise complemented Sajak's humor, making them a beloved team.

Memorable Moments on 'Wheel of Fortune'

Over the years, 'Wheel of Fortune' has provided countless memorable moments, many of which feature Pat Sajak's trademark humor and spontaneity. One notable incident occurred in 2014 when a contestant's guess of "New Baby Buggy" for a puzzle with the category "What Are You Doing?" went viral for its sheer absurdity. Sajak's reaction, a mix of bewilderment and amusement, showcased his ability to handle unexpected situations with grace.

Another unforgettable moment was the show's celebration of its 7,000th episode in 2019. This milestone highlighted the show's longevity and Sajak's integral role in its success. During this special episode, Sajak expressed his gratitude to the fans and the show's staff, emphasizing the sense of family that had developed over the years.

Pat Sajak's Influence on Pop Culture

Pat Sajak's influence extends beyond 'Wheel of Fortune'. His distinctive hosting style and charismatic personality have made him a pop culture icon. Sajak has appeared in various television shows and movies, often playing himself. His cameo in the 1987 film 'Airplane II: The Sequel' and his guest appearances on popular shows like 'The Simpsons' and 'Cheers' have cemented his status as a television legend.

Moreover, Sajak's wit and humor have made him a favorite target for parody and homage. Comedians and sketch shows frequently reference 'Wheel of Fortune' and Sajak’s hosting quirks, further embedding him in the cultural zeitgeist.

Challenges and Triumphs

Like any long-running career, Pat Sajak's time on 'Wheel of Fortune' has not been without its challenges. In 2019, Sajak underwent emergency surgery for a blocked intestine, leading to a brief hiatus from the show. Vanna White stepped in as host during his recovery, and the show continued seamlessly, a testament to the strength of their partnership.

Sajak’s resilience and dedication were evident when he returned to the show just a month later. His ability to overcome personal health challenges while maintaining his professional commitments earned him admiration from fans and colleagues alike.

The Decision to Retire

Pat Sajak's decision to retire did not come lightly. After more than four decades at the helm of 'Wheel of Fortune', Sajak announced his retirement in 2024. In a heartfelt message to fans, he expressed his gratitude for the support and love he had received over the years. Sajak’s departure marks the end of an era, but it also opens a new chapter for the show and its future host.

The Legacy of Pat Sajak

Pat Sajak's legacy is firmly entrenched in the annals of television history. His tenure on 'Wheel of Fortune' is one of the longest for any game show host, and his contributions to the genre are immeasurable. Sajak's style—marked by his quick wit, warmth, and ability to connect with contestants—set a standard for future game show hosts.

Moreover, Sajak's philanthropic efforts and contributions to various charitable causes underscore his commitment to giving back. His involvement in initiatives such as the USO and his support for veterans' organizations highlight his dedication to making a positive impact beyond the entertainment world.

The Future of 'Wheel of Fortune'

As 'Wheel of Fortune' prepares for a future without Pat Sajak, the show faces the challenge of maintaining its legacy while adapting to a new host. The search for Sajak's successor has been a topic of much speculation, with fans eager to see who will step into the iconic role.

Whoever takes over will have big shoes to fill, but the foundation laid by Sajak and the show's enduring format provide a strong starting point. The producers' commitment to honoring the show's rich history while embracing innovation will be crucial in ensuring its continued success.

Pat Sajak's Post-Retirement Plans

Retirement does not necessarily mean stepping away from the spotlight for Pat Sajak. While he may no longer be the face of 'Wheel of Fortune', Sajak has hinted at pursuing other interests and projects. Whether through writing, speaking engagements, or perhaps another venture in the entertainment industry, Sajak's presence will undoubtedly continue to be felt.

Sajak’s passion for education and his interest in politics may also shape his post-retirement activities. Known for his articulate and thoughtful commentary, Sajak could transition into a role that leverages his communication skills and vast experience.

Conclusion: Celebrating a Television Icon

Pat Sajak's retirement is a moment of reflection and celebration. His four-decade-long tenure on 'Wheel of Fortune' has left an indelible mark on the television landscape. Sajak’s ability to entertain, engage, and connect with audiences has made him a beloved figure in American households. As we bid farewell to Pat Sajak, we celebrate not just his contributions to 'Wheel of Fortune', but his lasting impact on the world of entertainment.

'Wheel of Fortune' will undoubtedly continue to spin, welcoming new faces and creating new memories. Yet, the legacy of Pat Sajak will forever be a part of its history, reminding us of the magic that a great host can bring to a game show. Here's to Pat Sajak—a true television icon.

 Halsey: "I'm Lucky to Be Alive" - A Journey Through Illness and the Birth of a New Album

Halsey, the renowned pop icon known for her powerful voice and raw, honest lyrics, recently made headlines with a candid revelation about her health struggles. The singer, whose real name is Ashley Frangipane, opened up about a significant illness that nearly took her life. Amidst this turmoil, Halsey also announced the release of her new album, a testament to her resilience and creativity. This article delves into Halsey's journey, the impact of her illness, and the story behind her latest musical creation.

The Revelation: Halsey's Health Struggle

In a heartfelt announcement, Halsey shared that she has been battling a severe illness. The revelation came as a shock to many fans, who have long admired her for her strength and transparency. Halsey has always been open about her struggles with mental health and endometriosis, but this latest disclosure adds another layer to her story.

"I'm lucky to be alive," Halsey stated, emphasizing the gravity of her condition. Although she did not specify the exact nature of her illness, her words highlighted the severity and life-threatening aspect of her health battle. This admission has brought a new level of awareness to her fanbase and the public, prompting discussions about health, vulnerability, and resilience.

The Impact of Illness on Halsey's Life

The impact of Halsey's illness extends beyond her physical health. It has affected her emotionally, mentally, and creatively. Dealing with a serious health condition can be isolating and challenging, especially for someone in the public eye. Halsey's experience underscores the importance of support systems, self-care, and mental health awareness.

During her recovery, Halsey had to take a step back from her hectic schedule. This pause allowed her to reflect on her life, her career, and her goals. It was a time of introspection and growth, leading her to new insights and perspectives that have influenced her music.

Halsey's New Album: A Beacon of Hope and Resilience

Amidst her health challenges, Halsey announced the release of her new album. This project is more than just a collection of songs; it is a reflection of her journey and a testament to her strength. The album promises to be deeply personal, offering fans a glimpse into her struggles and triumphs.

Halsey has always used her music as a medium to express her truth, and this album is no exception. The themes of survival, resilience, and hope are expected to resonate throughout the tracks. "This album is my story," Halsey said, indicating that her experiences with illness have significantly shaped the content and tone of her latest work.

The Creative Process: Turning Pain into Art

For Halsey, the creative process has always been therapeutic. Writing and performing music allows her to channel her emotions and experiences into something meaningful. This new album is a prime example of how she transforms pain into art.

During her recovery, Halsey spent countless hours writing and composing. The process was not only a form of self-expression but also a way to cope with her situation. By pouring her heart and soul into her music, she found a sense of purpose and direction. The result is an album that is raw, honest, and profoundly moving.

The Themes of the New Album

Halsey's new album explores a range of themes that reflect her recent experiences. Some of the key themes include:

Survival and Resilience

One of the central themes of the album is survival. Halsey's journey through illness has tested her in many ways, but it has also revealed her resilience. The songs are expected to convey a message of strength and perseverance, inspiring listeners to face their own challenges with courage.

Vulnerability and Honesty

Halsey has never shied away from being vulnerable in her music. This album continues that tradition, with lyrics that are brutally honest and deeply personal. By sharing her story, she hopes to connect with her audience on a profound level, offering solace and understanding to those who may be going through similar experiences.

Love and Connection

Love and connection are also prominent themes in the album. Halsey's relationships, both past and present, have always been a significant source of inspiration for her music. This album delves into the complexities of love, highlighting the importance of connection and support during difficult times.

Hope and Healing

Amidst the darker themes, there is also a strong undercurrent of hope and healing. Halsey's music often serves as a beacon of light for her fans, and this album is no different. The songs aim to uplift and empower, reminding listeners that even in the darkest moments, there is always a possibility for healing and renewal.

The Fan Reaction: An Outpouring of Support

Following Halsey's announcement about her illness and new album, fans have shown an overwhelming outpouring of support. Social media has been flooded with messages of love, encouragement, and gratitude. Halsey's honesty and openness have resonated deeply with her audience, strengthening the bond between her and her fans.

Many fans have expressed how Halsey's music has helped them through their own struggles, and they are eager to hear her new work. The anticipation for the album is palpable, with fans speculating about the themes and musical direction she will take.

The Role of Music in Healing

Music has always played a crucial role in healing, both for artists and listeners. For Halsey, creating music is a way to process her emotions and experiences. It provides an outlet for expression and a means to cope with pain. Similarly, her music offers solace to fans, who find comfort and understanding in her lyrics.

Halsey's new album is a testament to the healing power of music. Through her songs, she shares her journey, offering a sense of solidarity and hope to those who may be facing similar challenges. The album serves as a reminder that, even in the face of adversity, it is possible to find strength and resilience.

The Future: Halsey's Path Forward

As Halsey looks to the future, she remains optimistic and determined. Her illness has been a significant setback, but it has also been a catalyst for growth and self-discovery. She continues to prioritize her health and well-being, ensuring that she can continue to create and perform for her fans.

Halsey's upcoming album marks a new chapter in her career. It represents her resilience and ability to overcome obstacles, and it sets the stage for future projects. Fans can expect more music, more honesty, and more powerful performances from this remarkable artist.

Conclusion: A Story of Strength and Inspiration

Halsey's journey through illness and the creation of her new album is a story of strength, resilience, and inspiration. Despite facing significant challenges, she has emerged stronger and more determined than ever. Her new album is a reflection of her experiences, offering listeners a deeply personal and moving collection of songs.

As Halsey continues to share her story and her music, she reminds us all of the power of vulnerability and the importance of resilience. Her journey is a testament to the human spirit's ability to overcome adversity and find hope in the darkest times. With her new album, Halsey not only shares her own story but also offers a message of hope and strength to her fans around the world.

 

Hadid sisters donate $1m to Palestinian aid effort

Guy Lambert, Entertainment Reporter, BBC

US supermodel sisters Bella and Gigi Hadid are donating $1m (£785,000) to support Palestinian relief efforts.

A representative for Bella said the money has been earmarked for equal distribution among four humanitarian organisations that have a focus on children and families affected by the conflict in Gaza.

The sisters, whose father is Palestinian property tycoon Mohamed Anwar Hadid, have been vocal in their support for the people affected.

In May, Bella posted on the social media site platform Instagram, saying she was "devastated at the loss of the Palestinian people and the lack of empathy coming from the government systems worldwide".

The donations come after a series of photographs of the model at the Cannes Film Festival last month featured her in a red and white dress made of traditional Arabic cloth associated with Palestinian culture.

She wrote that it was "a beautiful way to represent the history, labour of love, resilience and, most importantly, the art of historic Palestinian embroidery".

After Hamas's 7 October attack on Israel, Gigi wrote on Instagram: "My thoughts are with all those affected by this unjustifiable tragedy, and every day that innocent lives are taken by this conflict - too many of which are children.

"I have deep empathy and heartbreak for the Palestinian struggle and life under occupation, it's a responsibility I hold daily."

She added: "While I have hopes and dreams for Palestinians, none of them include the harm of a Jewish person."

The four relief agencies receiving donations from the sisters are Heal Palestine, Palestine Children's Relief Fund, World Central Kitchen, and United Nations Relief and Works Agency.

The organisations support humanitarian aid including food and medical programmes, assist displaced families, and provide psychological services amid the ongoing war between Israel and Hamas.

US President Joe Biden on Friday urged Hamas to accept a new Israeli proposal to end the conflict in Gaza, saying that "it's time for this war to end".

The conflict began when Hamas gunmen launched an unprecedented attack on Israel, killing about 1,200 people and taking 252 back to Gaza as hostages.

More than 36,000 people have been killed in Gaza since the start, according to the Hamas-run health ministry.

Pete Davidson, Snoop Dogg, and Shane Gillis Make Cameos in Eminem's 'Houdini' Music Video 

Slim Shady is back, back again — and Pete Davidson is his taxi driver. 

Guess who’s back? 

Eminem, born Marshall Mathers, has just dropped the music video for "Houdini," the first single from his upcoming album, The Death of Slim Shady (Coup de Grâce). The star-studded video features cameos from Snoop Dogg, Pete Davidson, and Saturday Night Live's Shane Gillis.

"Houdini" samples the Steve Miller Band’s 1982 hit “Abracadabra” and nostalgically opens with the iconic lyrics from Eminem's 2002 hit "Without Me": “Guess who’s back, back again/Shady’s back, tell a friend.” The video shows a bleach-blond 2002 Slim Shady stepping through a portal into 2024, bewildered by modern tech like selfie sticks and VR headsets.

RELATED: Watch How SNL Created The 'I'm Just Pete' Sketch In Just 12 Hours

This is Eminem’s first release since 2020's Music to Be Murdered By. In the video, Dr. Dre, who signed Eminem in 1998 and appeared in the original "Without Me" video, calls him up and says, "We've got a problem, check this out. Get your ass down here."

Comic book panels in the video showcase familiar faces like 50 Cent and The Voice coach Snoop Dogg singing the chorus, "Guess who’s back?" Eminem knows it's time for his superhero alter-ego, Rapboy, to step in. Donning spandex, he teams up with Dr. Dre, cruising around the city looking for Slim Shady, who disrupts a podcast recording with Shane Gillis, expressing his frustration with the modern world.

The climax features a rooftop showdown between Rapboy and 2002 Slim Shady. After trading blows, they merge into a "unholy hybrid," resulting in the present-day Eminem emerging with bleach blond hair. The video ends with the dye job spreading to other city residents.

RELATED: Watch Eminem Crash Pete Davidson's Last Night on SNL

Eminem and Pete Davidson reunite in the "Houdini" music video. Eminem re-joins Dre in their car, but after rapping insults, Dre exits, leaving Eminem without a driver until Pete Davidson hops in, now sporting blond hair like Slim Shady clones.

"Trust me, I'm a great driver. Don't worry, I just got my license back," Davidson says. The video concludes with them careening down dark city streets, a nod to Davidson possibly getting revenge after Eminem crashed his final Saturday Night Live episode, begging him to "please stop" doing Eminem parodies.

 Model sues over Cannes red carpet 'assault'

Ian Youngs, BBC

                  Pontyjska says she was ejected from the event after the incident

A Ukrainian model says she has filed a legal complaint against organisers of the Cannes Film Festival after she was allegedly manhandled by a security guard on the red carpet.

Sawa Pontyjska was one of several guests who were filmed being challenged by the same steward at the prestigious French event.

Singer Kelly Rowland also complained, while footage of the guard with South Korean actress Yoona and Dominican actress Massiel Taveras also went viral.

Pontyjska, a presenter for FashionTV, told BBC News she was "brutally" restrained as she tried to enter the cinema with a legitimate ticket for the premiere of Marcello Mio.

On Wednesday, she posted pictures of documents accusing the festival of "physical assault and psychological damage". She said her reputation had also been harmed and is seeking 100,000 euros (£85,000) in damages.

Festival organisers have not responded to requests for comment.

A video of the incident, which happened on 21 May, has been viewed more than 16 million times on TikTok.

It shows Pontyjska at the top of the steps to the Palais des Festivals apparently being ushered in by the female guard, who then puts both arms around her.

The pair briefly struggled and Pontyjska almost dropped to the ground, before she tried to go back down the steps and was stopped by more security personnel and taken inside.

Pontyjska told BBC News she had been put in a "bear hug" and felt scared.

"I was trying to escape from this lock. I went down and I started to run away on the stairs because it was the way back [out]," she said.

"She was trying to push me in[side], so nobody can see what she's doing with me. Then she kicked me out through the back door."

Pontyjska said she was not doing anything wrong, and had since tried to contact the organisers to request an apology but had not received a response.

Her legal complaint said she was "violently challenged by one of a group of security guards" in front of "thousands of people".

The use of physical force caused "acute pain", and she also suffered "psychological trauma", she wrote.